Woke up like this movie review
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You'd be forgiven for assuming that Zhao's directorial presence would get buried, caught up in the gears of the MCU machine and ground into the same uniformly fine powder that gets baked into every Marvel movie.Īnd it does get ground up, to a certain extent. What some critics and audiences are manifesting now, as they find themselves wading clavicle-deep through whatever particular numbered MCU Phase we find ourselves in, is something softer and sadder - a weariness bred by familiarity.Īnd given all of that, Marvel still said, "Great, got it, good, let's hand her a plot choked in 7,000 years of backstory and a CGI budget Michael Bay would chew his own leg off for. It's not a backlash, really, because backlash suggests a reflexive reaction driven by a sudden, overwhelming need to reject, to force out, to detoxify. That's just simple statistics: Superhero films have become our cultural furniture they're the steady, unceasing hiss of universal background radiation none of us can escape.Īnd today, with the debut of every new film and television show, more and more prospective audience members find themselves aching to escape, to rid themselves forever of these children's characters and their microweave pajamas and their hypertrophic musculature and their too-tidy, infantilizing morality tales. If you didn't, you assuredly know someone who did. Maybe you muttered something unkind under your breath as well. You perhaps read the above and rolled your eyes. Ikaris (Richard Madden) and Sersi (Gemma Chan) in Eternals.Įternals is the latest film belonging to that great, teeming, not-so-riotous achievement in cross-platform multi-vertical corporate synergy/narrative cat-herding known as the Marvel Cinematic Universe.